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All new interview with The Smeg of King Kurt – Celebrating 40 Years of Zulu Beat

artsofs by artsofs
February 26, 2023
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Article by Adrian Hextall / Pictures MindHex Media (C)

King Kurt cut up in 1988 after 2 splendidly mad, deliriously enjoyable albums that noticed songs like ‘Zulu Beat’, ‘Vacation spot Zululand’, ‘Banana Banana’ and ‘Collect Your Limbs’ steadfastly refusing to seize the music shopping for public by their bootstraps and stopping the band with the most important quiffs and a (literal) costume sense that different artists refused to undertake, from changing into one of many greatest acts within the nation.

Like all nice issues which are initially missed, the band have, within the intervening years, garnered one thing of a cult following, reformed, headlined festivals and customarily began to get the eye they so clearly deserved again within the day.

The reformation virtually didn’t occur although and that it did is nothing wanting a miracle. To get the story and to stroll us by means of 40 years of King Kurt, I spoke to Gary ‘The Smeg’ Cayton.

Smeg’s story takes us again to Toronto, Canada within the early 2000s and one particular person’s need to see the band carry out no less than as soon as extra. You won’t get many scooter rally and psychobilly fanatics in Canada regularly however whenever you do, they sometimes pull their mates collectively to trace down the lead singer of the band that they’ve adored for the last few a long time.

The gentleman in query, Andy Greenslade, was attending a scooter rally in Niagara Falls and having heard that ‘Smeg was simply down the street in Toronto’, determined to move out on a mission to search out him. Having bumped right into a buddy of Smeg’s who knew simply the place to search out him, “I used to be watching the hockey in a bar in Toronto by myself and was nearly to fuck off when my buddy is available in all sizzling and puffing away saying ‘I’ve simply been put in a cab to return and discover you!’ It seems they had been large followers and we ended up occurring this three-day bender which, to be trustworthy, was one thing I actually wanted. I used to be in a really low place on the time and people three days acquired me again on observe.
After we’d completed these three days, I bear in mind asking him if there was something I may do to repay him and the reply was, ‘Sure, you may play at our scooter rally again house.’

So, I went house, we began getting the band to rehearse once more in Manchester and that rally was what kick began the place we’re as we speak.”
Some 20 years later, the band are nonetheless arduous at work, albeit on a extra part-time than full-time foundation however with the fortieth Anniversary of ‘Zulu Beat’ extensively publicised, 2022 / 23 looks as if a super alternative to delve into the again catalogue of King Kurt and talk about the historical past, the exhibits, the mess and naturally a couple of selection moments that gave them the kind of notoriety that may go for and towards them in equal measure.

‘Fuck Off Standing Quo’, is not only a press release that wanted to be mentioned, extra it’s the music that first launched me to King Kurt after each ‘Ooh Walla Wallah’ and ‘Large Cock’ had been launched. It’s comedy gold, incorporates a great deal of swearing and given that everybody and his Mum knew ‘Caroline’ by the aforementioned 3-chord music specialists, it was instantly an ear worm that was arduous to shift.

“The band liked it,” admits a laughing Smeg. “I acquired a name from a buddy after we’d recorded that to listen to that Standing Quo thought it was nice, a lot in order that they invited me all the way down to their Wembley Area present that 12 months at Christmas as a visitor.”

After all, the chance to offend these ‘greasy fuckin’ hippies’ as Smeg so succinctly places it on the observe didn’t actually pan out as anticipated however what then in regards to the launch of the observe as much as the band’s debut album. The suitably / brilliantly / amazingly (delete as acceptable) titled ‘Large Cock’ got here out by means of Polydor Data in 1986 and instantly got here with its personal set of problems. The UK’s equal of Walmart (household pleasant and stockist of music releases) was Woolworths. Woollies (as we knew it) refused to inventory the unique model of the album, a plain cowl with the phrases ‘BIG COCK’ emblazoned on the entrance was apparently deemed to be rather less than household pleasant.

A second cowl was subsequently launched on the identical time which featured a large rooster on the quilt with a tiny depiction of the band at its ft.

“It was only a massive hen,” says Smeg with the kind of smile that reminds us simply what the band’s administration and label needed to take care of again within the day. “We had these large billboard posters, three of them up in Kings Cross (London), that mentioned, ‘KING KURT’S’ ‘BIG COCK’ and had an image of the rooster on the finish of it. Everybody driving by means of King’s Cross was confronted with these three billboards aspect by aspect promoting the album. Nonetheless, it may have been worse,” he provides with a chuckle. “We wished to name it ‘Ball Bag’!”

Album titles and large chickens apart, the billboards weren’t the one factor that acquired the band into bother again within the day. As they tour the nation in 2022, each venue has a discover on the door insisting that the occasion is ‘a multitude free present’, referring in fact to the truth that the band used to encourage meals fights at gigs, sometimes comprising baggage of flour being thrown round, typically by followers (normally males) sporting clothes, one thing that the band had been identified to insist on earlier than the blokes would even be allowed into the venue. As Smeg explains, what appeared like an incredible concept to get King Kurt observed, even got here with a warning from one in all rock’s best luminaries.

“I used to be standing exterior The Clarendon [Hotel] at some point with Lemmy [a man who needs no further introduction] who did ask me if I realised that we had been backing ourselves right into a nook. I used to be 21 on the time, so recommendation is one thing you don’t take simply. It was our first main tour, we had been having enjoyable, we didn’t must pay for something, we simply didn’t care.”

While the factor of remorse hangs over Smeg, questioning if issues might need turned out in a different way, the band do nonetheless handle the odd ‘messy’ present. A present in a venue that was in dire want of refurbishment allowed the band the uncommon alternative to revert to the outdated methods but additionally reminded Smeg simply why the messy occasions weren’t such a good suggestion.

“The power of one thing semi liquefied hitting you full on… let’s simply say it’s like being hit with a non-lethal weapon. Not one thing I wish to repeat in a rush.”

Wanting again on the wilder gigs, those that had probably backed them into the nook Lemmy had kindly warned them about within the early Nineteen Eighties, Smeg remembers one occasion specifically when maybe issues had gone a bit of bit too far.

“There was this one time,” he begins, “after I’m stood on stage, and I’ve acquired this fuckin’ pig’s head perched on my shoulders. I’ve no concept the place it got here from however that must be some of the surreal moments from our reside exhibits.”

And presumably one he’ll be pretty determined to not repeat any time quickly. Actually, with the band now in its fortieth 12 months, performing nice gigs in entrance of combined crowds of all ages, the one mess seems to be the pints being spilled in all places a energised followers bounce round in mosh pits. Each the exhibits in Brighton and London that I attended final 12 months had been stuffed with punks, rockabilly and psychobilly followers in addition to these simply on the lookout for an excellent evening out watching bands that know find out how to take the roof off a venue.

It falls to a buddy of Smeg’s who joined us within the well-known Black Coronary heart Tavern in Camden to elucidate the enduring attraction of a band whose final studio album was 1994’s ‘Poor Man’s Dream’. He sums up simply why the flooring in venues are nonetheless filled with folks bouncing to ‘Zulu Beat’.

“What I really like about King Kurt if this. It’s not about punk music, rockabilly, psychobilly, or every other style like that. King Kurt’s sound relies in roots music. It’s why I really like the band and this man right here [gestures to Smeg]. He carries a lot vitality nevertheless it’s not thrashy, heavy guitars, fucking screaming vocals, his type relies in fucking roots music. It’s black music and it’s the journey that they’ve taken with that sound, that’s the place it’s based mostly. They create out the perfect parts of all these musical kinds and roll all of it into one. That’s why they’re the perfect at what they do.”

Wanting throughout at Smeg, clearly bowled over by the outpouring of affection and affection, he replies as solely he can with a modest however witty response of,

“Nicely, I can’t do the rest. I’ve no different abilities.”

If you wish to thank the person answerable for bringing again King Kurt, go see a King Kurt gig this 12 months and have a good time 4 a long time of music with them. Hyperlinks and dates under:  

https://www.songkick.com/artists/422948-king-kurt

https://en-gb.fb.com/kingkurtofficial/

 

 

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